Took another week off, but you wouldn’t think it for how busy I’ve been. I prioritized some paid work again last week, but I’m back on schedule now and what better way to jump back in than with this week’s topic.
I’ve stalled my progress on the latest writing project for a bit – I actually can’t remember the last time I worked on it. However, one of the many things that occupied my attention last week was plotting this new project, so I’ve made progress but nothing tangible, and having the plotting done actually makes it that much more intimidating to get down to write. So I have to talk myself into it most of the time.
This week’s post is a short clip of what that monologue looks like some of the time, without the specifics of the current project because I’m still waiting for it to look a little more polished before sharing. Enjoy as I let you into some of my thoughts…
Before you go into a snippet of my head, check out this Rewire article I was recently quoted in (it’s wild writing that down…). I’m happy to be able to process an uncomfortable experience this way.
Right, I just need a drink and to find a comfortable place to sit. I wish I had more natural light. Or a more exciting view out the window. My back aches if I sit like this for too long. Never mind that; need to start writing.
I love and hate a white page. Can’t decide if I like it more than continuing an impressive word count or rearranging whole sections and watching it come together. There won’t be anything to put together if you don’t start writing…
Should I work on a scene I already wrote or start something new altogether? What was that one scene that went through my mind the other day? How is it connected to what I’ve already written? No, that makes sense – start something new altogether.
Asterisks or a few hyphens? Asterisks in the middle or left justified?
Maybe this new scene does fit somewhere that already exists, but where? It could be a continuation of that one scene, I suppose, but then would that tie up that scene and another one? Let’s write it down and see what happens.
I always want to start with dialogue, it would seem, or in the middle of what’s already happening. I guess that could come in handy if I decide to combine this new scene with something else, especially since I end scenes in media res anyway. I wonder if I will ever write multiple scenes in one go, ones that are linked together for once.
I really chase that feeling of getting into a flow and finding that the words just come on the page, like I’m just a conduit and they have already been written somewhere else, at some other point. I wonder if today will be one of those days, where I look up from the page and don’t really see what I’m looking at because my head is occupied with the scene unfolding in the words I’m writing. Not having a particularly exciting view outside the window comes in handy for that.
My back is achy and the page in front of me isn’t less empty… how do some writers get to the point where they hear their characters talking? I can’t even see what mine would be wearing… but I guess that’s okay. That’s not necessarily important to the story and it’s not like readers aren’t smart enough to realize she’s not naked… I wonder what her frame of mind should be on this scene, or what she’s thinking. Maybe she’ll tell me as I write it down.
Maybe she’ll just observe on this scene, and it’ll be one of those filler scenes in between the “really important” parts. If I get through this filler scene, maybe I’ll even write a more important one afterward, one of those that moves the plot along. What if all it takes is one scene to really get the flow going and I end up with a couple of thousand words’ worth? That would be a pleasant surprise, but I first have to write something to make this page look less empty and get the word count moving a bit.
Damn, I never did get myself something to drink… and I might as well find another pillow to prop up my aching back while I’m up.