Have I Seen Too Much?

In what has become a biweekly tradition, I will start this post with a poor excuse.

I haven’t neglected this space and have actually thought about this entry for about a week, but I haven’t gotten around to actually writing it because… life. Life and its many commitments (one of them being jury duty) and my newfound journey into being kinder to myself and unlearning the “I must work hard to earn time off” mindset.

A week and a bit ago, I did two things on the same day that were unrelated at the time but now I can’t think of one without thinking of the other. For one thing, I finished re-watching all of Sex and the City on HBO Max (honestly, adding that subscription to my roster probably contributed to my neglectingprocrastinating, not writing). For another, I went to a haunted forest for the first time in my life.

How are these two things related? In the first Sex and the City movie, Carrie and Miranda are walking around a Duane Reade looking for a Halloween costume for Miranda. As the two women browse the aisles side by side, a small child wearing a mask jumps out at Carrie to try to scare her, only for her to be unfazed.

“You can’t scare me after everything I’ve been through,” she says as the boy’s mom ushers him out of the way. I’m paraphrasing, but the point was that (spoiler alert?), after being left at the altar earlier in the year, she was not moved by an obnoxious child left unsupervised.

Although the remark is obnoxious itself and very Carrie-esque, I couldn’t stop thinking about it when I was, also, unfazed when walking through the haunted forest.

I couldn’t help but wonder, had I also seen too much?

(See what I did there?)
Photo by Matthieu Joannon on Unsplash

It has been nagging at me for over a week why I wasn’t scared at the prospect of hiking through a trail, in the relative dark, knowing there were things waiting to jump out and scare me. It was a very odd time to have a first-time experience of any kind, but those who had been during normal (read: not COVID) times told me that actors usually get very close to you, getting right in your face in their creepy costumes and forcing you to stop when you really should keep going. In COVID-19 times, of course, anything closer than 6 feet wasn’t advisable or safe, so no one came too close to me other than other hikers. To make up for that, it looked like the organizers put more budget toward the machines and scenery rather than rely on actors to navigate the trail themselves. One of the first few settings was a pitch-black tunnel that, every few minutes, lit up to show a giant fake spider with strobe lights behind it.

After the spider, there were haunted churches, a haunted cottage setting with two hillbilly farmers with chainsaws chasing us (with a 6-foot lead), a haunted pumpkin patch, a freak show section, a haunted museum section, a spaceship section with alien actors running around, ending with an escaped convicts section with a metal song playing loudly in a loop. Sections to overwhelm the senses and scare you, as the announcer said when we went in.

Except… I wasn’t overwhelmed or scared. I was alert. My heart beat faster, my body’s reaction to perceived danger, but I did not let out one scream. I kept walking, leaving my crowd behind a few times, letting my eyes scan my surroundings and stepping around actors clearly positioning themselves to jump out at the next patron. I was uncomfortable in confined spaces and refused to go first when going through doors (although I inexplicably led the way when we first walked into the trail), and that was the only expected reaction I saw in myself all night.

So, why was I not scared and just alert? It is the nature of my anxious disposition that I do not like not knowing what to expect from something or someone, so why was I happy to walk in first? Comparatively, I was very anxious and nervous when I went in for jury duty on Friday, since I’d never done it before, I didn’t know what to expect and I was afraid of getting something wrong.

I did some digging, and the research done so far added to the confusion instead of providing an answer. The least-contradicting source was this Huffpost article that isn’t too recent and is about scary movies, but at least it’s very much pre-pandemic so that’s as reliable as I’ll get for now. According to this article, there are a few reasons people don’t get scared while watching scary movies:

  1. They experience the stress that the adrenaline causes differently, almost enjoying the reaction.
  2. They are not highly sensitive people.
  3. They may have experienced fear and discomfort (from age-appropriate scary movies and attractions) from a young age, so they’re more or less used to it.
  4. They enjoy connecting with others over being scared.

I do not fit into any of these, starting with my last entry on my realization that I may just be a highly sensitive person. I do not enjoy the stress reaction of being scared, as the near panic attacks I get when I see a rodent or I’m somewhere higher than the first floor would indicate.

Going back to my Sex and the City connection, perhaps I have seen too much. There is a lot of trauma and Trauma I’ve experienced, like anyone and everyone, and it takes specific stressors and fears to trigger an adrenaline- and panic-led response.

Knowing that everyone in the haunted forest was an actor and wasn’t allowed to get closer than 6 feet for their own and my safety didn’t scare me but, rather, gave me a task: to finish the hike.

I saw It: Part Two recently, so I knew that killer clowns are in vogue and very much not real, but seeing a rat in the streets of Baltimore on Saturday night sent me into a near panic and walking faster to the car.

Walking through the haunted cemetery section, eyes alert and open to dodge the next actor, only meant that I had to walk the trail and watch out for loose branches that may have tripped me. That isn’t nearly as terrifying and anxiety-inducing as the paralyzing fear I feel in my gut when I think of any illness, accident or disease that could affect my dad as he gets older and isn’t in the shape he was 16 years ago when I started living with him full time.

So, after doing skimpy research, reflecting and writing this post, I’m still not any closer to figuring out why I wasn’t at all scared during a sensory-overload experience meant to overwhelm and scare. At least I know I have the capability to be scared, paralyzed and overwhelmed. I have but to think of standing on a rooftop with mice and rats scurrying around my feet while my dad is being rushed to the hospital to feel my heart race and ears ring, like the actors wanted me to feel while walking through the haunted forest.


Bloom where you are planted.

If a flower doesn’t bloom, you don’t change the flower; you change the environment.

You’ve come across both of these inspirational phrases before in times of adversity, or in motivational posters in a doctor’s waiting room.

But what if I’m an orchid?

Photo by Jessica Knowlden on Unsplash

When orchids are cared for properly, they bloom, wilt and bloom again for years. They require precise conditions to survive and thrive: too much or too little water can harm them; too much or too little light can make them wilt; too much or too little humidity and they won’t bloom another year. Orchids are the flower that you shift your life around to make sure they live, shifting around furniture to let them receive south- and east-facing light, and even adding a humidifier and humidity meter for good measure. Yet sometimes, even with the right amount of light, watering frequency and repotting, orchids don’t bloom.

I have killed many a plant this year, and some haven’t even grown roots. None of them, however, have died out of neglect. I have watered them or removed their water supply if I was advised to. I moved them closer to the sunlight and away from it. I’ve protected them from the cat’s curious reach and let her have free reign of the one that was safe for her (cat grass; a gift for her twelfth birthday). I even tried planting one from scratch: I planted the habanero seeds and tenderly packed the soil before watering it, diligently ensuring that the soil was moist everyday so it could germinate. I watched as two hopeful sprouts emerged from the soil, only to watch them die over the following weeks. I got a miniscule Venus fly trap as a gift and was commanded not to touch it. Only to look at it. Three weeks later, what I tenderly dubbed Cheryl Blossom withered and died a slow death.

There are plenty more plants in my house, plants I’m not the guardian of. These are all thriving: the small aloe vera grows greener every day, promising to have stems large enough to cut for face masks one day. The money tree had a few singed leaves from too much sun exposure, but a careful shift two feet to the left, and he’s growing teeny new leaves. If you sat and watched these plants, they would mock you with their growth. There is even a small red pepper plant that bore a small pepper even though it was left outside all summer, was never repotted and never watered.

Are my dead plants trying to tell me something? To change the environment? That they can’t bloom where they’re planted – they can’t even germinate. Are they a reflection of me and my lack of bloom this year?

Like many a plant optimist, I have said, “This is the last one. If this dies, I’m not getting any more,” only to grieve and flagellate myself for a few weeks at the failure when one more dies before attempting a different kind. I tried my luck at starting an avocado plant from an almost-discarded pit. All guidance said the pit would take two to four weeks to sprout roots, some taking as long as eight weeks. It’s week three, and there aren’t any roots, just tiny white dots forming a ring on the bottom half of the pit, teasing me at becoming roots. This, too, I tenderly look after as much as I (read I) need to and have the common sense to: changing its water once it gets yellowish and ensuring it’s receiving just enough indirect sunlight.

What if this attempt doesn’t bloom either? I have held off giving it a serious name until I see a sprout.

Bloom where you are planted. My dead never-would-be flowers disagree.

What if, like my plants, I can’t bloom where I’m planted? What if I need a different environment? Like an orchid.

I recently read about orchid children and how they take special care to bloom. Most advice is geared toward parents raising sensitive children, even providing a handy 23-question quiz to determine if your child may be sensitive, an orchid. Curious, I took the quiz myself, keeping in mind what I remember I was like as a child and what I’m like now. The threshold for sensitivity in the quiz was 13 – I scored 15. At almost 28, I may have to accept the fact that I’m a highly sensitive person, one who may have been born wired that way and developed into a highly sensitive adult from the trauma and Trauma I’ve endured.

Orchid children are sensitive to their environments and tend to become overwhelmed in loud places, in front of strangers or after a radical, surprise change. Often confused with being shy, a highly sensitive child may prefer to sit in the back of the classroom and not raise their hand even if they know the answer, may be wary around strangers until they get to know them better and may notice the distress of others and withdraw or get upset.

Classic perfectionists, orchids do not do well when told to toughen up, to deal with the stressful environment they’re thrown into. Parenting advice today encourages routines, grounding techniques when the child seems anxious, and balancing the line between letting the child explore, gently pushing them to try new things, and coddling them when they become overwhelmed with a big change. Most of all, parents are encouraged to nurture the highly sensitive capabilities, not belittle them as if they were a weakness.

Because they’re not weaknesses.

By sitting quietly and playing alone, a child can be observant, noticing the colors of the changing leaves or the sounds in the street. Wary of strangers, a highly sensitive teenager may take longer to make friends, but the friendships they form will be lasting and genuine. The sensitive adult who doesn’t participate in workplace banter and watercooler visits may get their work done quicker and be more focused, but will always remember a coworker’s favorite meeting room dessert or ask deep, meaningful questions in meetings that are impactful and useful. The sensitive child will grow up to be an adaptable adult.

Orchid children, like their flower namesake, are highly sensitive to their environment and, if they don’t receive the right care and attention from early on, they grow to view the world as a place to protect themselves from. They learn to always be on survival mode, to retreat when the environment disagrees with them. At least that has been my experience now that I have a term for my personality.

It seems like survival mode hasn’t just been my default this year, but for as far back as I remember. The last time I think I can recall not being in survival mode to some degree was 2015. When I wasn’t constantly thinking, “Just until X happens, then I can breathe easy.” What if my orchid tendencies have been showing through and I just need to find the right environment to bloom out of survival mode?

“Watch me while I bloom,” sings Hayley Williams in the eponymous Watch Me While I Bloom. But orchids don’t bloom on command. When is it my turn to bloom? What does my “blooming” environment look like and how can I get there?

Maybe I’ll get an orchid when I find out.

An Update, Six Months On

When I joined the blogging community, I was conscious of the crowded space I was joining and how difficult it would be to stand apart from the rest. Although that was never my main intention, I knew that most of my voice would be lost in the void. It would have been nice to be noticed, but I never started this blog for anyone other than myself.

I’ve been noticeably absent for a while, and I have to admit that I’ve only given this blog a passing thought this week. Two weeks ago, I prioritized paid work again, and thought I would devote some attention this past week. Then I sprained my wrist.

The sprain doesn’t keep me from typing (obviously), but it did make the beginning of the week kind of painful. I have a brace now that slows me down in everything including typing and writing long-hand, so I have been preoccupied with that this week, doing the bare minimum to go about my daily life while being mindful of activities that may make the pain worse and recovery longer.

If we trace back the order of events that led to this long-healing, irritating injury, it’s COVID related, which is obvious. COVID has also affected the life of this blog and the plan I had for it earlier in the year. Like it has affected many a thing around the world.

Long story short, I was doing a boxing workout using my at-home gym. I’m being generous – my at-home gym is a freestanding punching bag in the yard. I’ve been using the without major issue all summer (it’s a great stress relief), last week I threw a punch the wrong way (or the right way, if I’m optimistic that I hit too hard) and I sprained my wrist. During that same workout, I under-rotated a kick and hit the top of my foot against the hard part of the bag, but (miraculously) my foot was spared any damage.

Where does COVID come into all of this? The only reason I got the punching bag was because I didn’t feel comfortable going back to the gym once it was allowed to open after quarantine, so I figured I’d add a fun way to workout to my routine. A sprained wrist and constantly-bruised knuckles later…

Besides my workout routine, COVID has impacted my writing schedule, aims and goals. Because I’m always home now, endless distractions, chores and lack of discipline has affected what I envisioned as a weekly task. I planned on working on the new novel (and that’s still a goal), but one of the new aims for this blog is now exploring my writing style and habits, and that often means deviating from the content plan I created at the beginning of the year. Not to mention that lockdown drove my friend to create The Artist’s Way group. After finishing the workbook, I know that what I learned informs how I write and create in general, which means I’ve had to be flexible with my content plan.

I worry that the more I write about this, the more this will sound like an excuse for why I haven’t bothered to write for two weeks, and why I haven’t touched my novel in even more weeks. However, this is the best I can do with my current circumstances, and maybe tomorrow will be different. After all, now that boxing workouts are out of the question for a while, my afternoons are free (until I find another way of gym-free working out that I enjoy) and I will make a conscious effort to write more, even if it’s just a few paragraphs.

If I don’t, no one else will. Or, what’s worse, someone else may.


A few weeks ago, I took on the mammoth task I’ve been putting off for months: plotting my new project. When I finally did, index cards and all, I felt a lot better about undertaking the project itself. I compartmentalized plot points and broke them down into achievable chunks, a third of which are already written and need developing. It felt productive to take that step toward completing the project I started earlier this year, almost like quarantine hasn’t been entirely wasted.

After plotting and getting down to write today (on a Wednesday, which doesn’t happen very often), I also noticed I haven’t posted a novel extract in ages. Julia Cameron would call this synchronicity, and even though I finished The Artist’s Way [LINK] weeks ago, I’m glad some of the tools have stayed with me. Others would call this being lazy and killing two birds with one stone, but I choose to be kind to myself today.

As with other excerpts, this piece is an extract of an extract so I don’t cannibalize my own work, but it’s enough to keep me accountable and to keep me writing. Writing something that’s not emails…

Enjoy! I’d love to hear what you think.

Image of person sitting in an airport waiting area, slumped on top of a suitcase.
Photo by Joyce Romero on Unsplash

“I still think it’s horribly irresponsible of you to do this.”

“Thanks for the ride to the airport.”

“How would you have gotten here otherwise?”

Xander sighed and looked straight ahead. The other cars zoomed by, yet she didn’t seem to be moving at all. The hour-and-a-half-drive to Dulles Airport was getting her somewhere and nowhere.

“Make sure you get yourself a new winter jacket,” her mom said. “That one is falling apart, and right now it’ll be colder than here. It likely won’t snow, but it’ll be rainy and gray all the time. With that sun that doesn’t keep you warm.”


“And good rainboots. You’ll be walking a lot too.”


“Although why you want to even go is beyond me.”

Xander stayed quiet. The potholes of I-495 were slowing down traffic, and as a Maryland-tag Civic inched its way in front of them to switch lanes, her mom swerved into the right lane without looking and honked the horn.

“Jesus Christ, could you be careful?”

“Don’t be taking the Lord’s name in vain,” her mom said. “And what did you want me to do when that a-hole cuts me off?”

Xander rolled her eyes. Their car finally merged into the exit and then the airport access road. The next eleven miles were quiet.

They drove without music as was her mother’s custom, not because it was distracting, but because she didn’t enjoy it. She joined the few people in the world who actively hated music, from rhythmic chanting to the current top hits.

Xander watched the buildings zoom by. The office parks, hotels, apartments and parking garages. This part of the city was ugly, and it was unfair that this is the last thing she would see of her home. She’d thought about going hiking one last time when her bags were packed, to stamp a last image of green before all she saw on a daily basis was concrete and double-decker buses, but she couldn’t bring herself to do it. All hiking trails led to the lake, and she didn’t want to go to the lake.

Xander and her mother made it to the signs for the different airlines and parking garages, and Xander knew they were getting close. She waited for the butterflies to flutter in her stomach, the lump in her throat as she got closer to saying goodbye to her mother, her only family, but she didn’t feel anything. She even waited for the urge to run her hand through her hair like she knew she did when she was nervous, but nothing came. Her hair stayed safely inside her beanie.

A familiar feeling of feeling nothing. Of not remembering when was the last time she laughed, or felt nervous or was angry.

They soon passed the last airline signs and entered the main traffic circle at the airport, and as her mother merged into a tricky lane without looking, the first trigger of feeling came: chest tightening and a racing heart. Maybe Xander was nervous after all.

Her mother continued on the circle toward the drop-off area, and Xander unclipped her seatbelt before the car stopped.

“Hold on, let me park and see you off properly.”

“No, it’s okay,” Xander said and opened her door in the same instant. The February air bit at her face and she zipped up her jacket almost to her chin. The trunk was already open when she went to get her huge and heavy backpack and her handbag. The car was still running, but her mother was out with her and standing next to the trunk as Xander hoisted the bag onto her shoulders in an unpracticed way.

“You should have gotten a rolling one. You’ll be walking a lot from the airport to wherever you’re staying.”

“But my hands will be free.”

“I don’t want to hear complaining about an aching back, then.”

Not that she would hear from Xander at all. Even as she thought about not talking to her mother as often, she waited for the sadness to fill her chest and tighten it, for the pricking of her eyes to make breathing difficult, for the ringing in her ears to make it hard to hear. Sensations she’d grown used to since last year that now she expected them. But nothing came.

“It’s fine. I’ll just go straight through and I won’t have to carry it until I get there.” Her shoulders already ached, but she welcomed the feeling as the rest eluded her.

“Okay, well, fine.” Her mom slammed the trunk shut and walked around the car to the sidewalk. “Please let me know when you get there and get WiFi, even from the airport. You know how to get where you’re going?”

“Airport, Metro, blue line to black. Get off at Farm something.”

“Chalk Farm, I think it’s called. But let me know when you land at least.”

“Yes, okay,” Xander said and leaned in to hug her mom. “Bye, mom. Love you. Look after the house and yourself.”

“Love you too, baby. Please be careful.”

Xander thought she should turn around and wave when she got inside the departures lobby, but when she did, her mother had already pulled out and was making her way around the traffic circle. She should have felt hurt, but she was relieved and wondered if she should have turned and waived sooner.

Other travelers and family members stepped out of her way as she walked to the ticket counter and she wondered how heavy her bag would be in the end. Before it was her turn, she hoisted it off her shoulders, dragging it with her when the attendant called her forward. She stumbled in answering how long she’d be staying in London and settled for “a while,” but the attendant pressed her and asked her if it’d be longer than six months. Xander said yes.

Surviving the Cicadas

I hate summer. There, I said it. And that is the hill I will die on.

To be specific, I hate the Washington D.C.-area summer, the swamp-like, cicada-infested, humid hell I am subjected to between May and mid- to late September. July is my least favorite month, and the day I get to put away my shorts, bikinis and tank tops for the year is my favorite day.

There’s also the added pressure of enjoying yourself during the summer, of taking advantage of a hot week and go to the beach, or camping or hiking. With the exception of camping, I would gladly do any “summer” activity during the cooler months – last year, my boyfriend and I went to the beach when the weather was in the 20s and the windchill by the ocean made it feel like the teens. I felt comfort in the empty beach and letting the sun that doesn’t warm you up shine on my mostly covered face.

As summer starts drawing to a close, I am not sad to be staring at the last quarter of the year, and I’m more amazed that I woke up one day and it’s September. For a long time now, I have started thinking of time as Monday through Sunday on repeat, and filling up the time in between. What I am also not sad about as summer ends is cicadas packing their bags and finding a hole to hibernate in.

I’ve accepted the fact that I’m a city rat, someone who is more comfortable around the sounds of sirens, traffic or people walking by the front door while talking on their phone. The sounds of the city comfort me, and I’ve been known to have trouble sleeping when I can hear the rush of ocean waves nearby or the empty sound of silence. So, instead of feeling comforted and wistful at the sound of the cicada song and crickets chirping, I am irritated by it.

I hate the sounds of summer, the cicadas, crickets, fireworks that go off on any day besides the Fourth of July. So one day last week, as I sat in bed contemplating what to write for my Morning Pages as part of The Artist’s Way, I wrote three pages of how much I hate cicadas. We are supposed to write whatever comes to our minds in a stream of consciousness, for three pages, first thing after waking up. When I tell you that all I could hear were cicadas invisible in some tree outside my window… they are cackling as I write this, and the screeching is all I can hear again.

Lest I suffer alone, this week’s post is a transcription of that morning’s ramblings, very much relevant until the pesky insects find their holes to crawl into and stop tormenting me.

Happy reading! Please tell me I’m not alone in hating the summer heat and the feeling of your face melting for months…

Image of a cicada perched on a tree
Photo by Shannon Potter on Unsplash

These damn cicadas are so distracting. It’s not a song or a screech, but an incessant sound, a rain stick that keeps getting turned and turned and turned. It’s the opposite of soothing – it’s intrusive. When it fades into the background and you don’t notice it, you can almost ignore the fact that it’s summer. When the screeching breaks through your consciousness, they are all you can hear, like their cursed song is a siren song that drives you mad with their decibel-planting larvae in your ear.

That’s the sound of summer, and if you’re extra lucky you’ll hear crickets on top. Crickets at least fall quiet when you or another predator get too close. Even though they’re invisible like their cicada siblings, they know their song indicates their presence, that it threatens their safety and location. Cicadas are up on the trees, and by the sound of their army, their song is an invitation, a challenge as well as their raison d’être. They sing to invite you to challenge their position. For every one of them that sings, a brother or a sister is ready with its family to defend their sacred singing ground. For a few months, ours is not to wonder, but to listen in awe.

Ours is to remember that they will be gone in a few months, that they’ll retreat into the ground and ask nothing but for you to wait until next year. When the ground is warm enough to warm their waiting exoskeleton, they rise to sing, to sing their neighbors away, to sing their neighbors to sleep, to sing the summer away.

Cicadas come out of the ground to fulfill their duty. Theirs is to get up and sing. To them, it looks like any other summer. It’s hot, the days last longer and the trees have plenty of leaves to hide in. They don’t see that the heated months last longer now, that a different family lives in a house under a specific tree, that a dog that barked at the sister cicada that got too close one year isn’t around another year. They don’t notice that it’s a summer that their audience grew, with more people at home to wake up with a song or more people to serenade as they sing from their trees in a park of by an artificial pond.

They keep singing, screeching and calling, doing the only thing they’re aware of that needs doing. When their song dies down, when they need a collective break, a section of their orchestra starts building again, building to a crescendo, leaving a brother or sister cicada to sing out a solo for a few notes, letting everyone else rest. When the urgency of the solo builds and calls for a response from the chorus, the song begins again. Until the end of summer.

I Spy During a Road Trip

I don’t feel like writing today. So why am I writing and drawing the blood out of the stone that is this week’s blog post? Because I’ve heard that a third of a writer’s life is procrastinating, a third is writing when you don’t feel like writing and a third actually writing. When last week’s post had me firmly in the third category, today has me smack in the middle of the first two.

What to write when you don’t feel like writing? A listicle! Well, to be more nuanced than that, ten questions I would ask if I were playing a game of I Spy. I’ve never played a game of I Spy in my life as I wasn’t often the kind of child that needed to be kept occupied during, say, a car ride, but that could also have had to do with the fact that I enjoyed looking out the window undisturbed the most.

For the purposes of this exercise, our setting will be the usual road trip where you’re trying to keep occupied at a rest stop until you’ve gathered up enough energy to get back on the road. You can be a kid of any age here, even if you’re a “big” kid. You are sitting on a shaded bench next to your road trip companion, with the sun reaching and baking only your ankles, and the cool drink you got has already made a pool of condensation on the table you’re leaning back on. You’re people watching, but instead start scenery watching when you become aware of how much you’re procrastinating the drive.

If you have made it this far, I commend you. don’t even want to keep going today…

Image of colorful rest stop, with people sitting on an outdoor bar in the background, and empty wooden tables in the foreground.
Photo by Meritt Thomas on Unsplash

I spy, with my little eye…

  1. Would it fit on your hand?
  2. Would an animal eat it willingly?
  3. Could you run to it and back in less than five minutes?
  4. Is it a color that is one of the primary colors?
  5. Would a five-year-old child have a name for it yet?
  6. Would you find it in another country under a different name?
  7. Is it likely to still be on the same spot when we make our way back through this rest stop?
  8. Is it something you could also have in your home?
  9. Is it something that could be damaged by the elements?
  10. Is it something that could still be used in a future dystopian society?

The Baby Incident

It has been almost two weeks since I wrote last.

Well, wrote and published would be more accurate. I’ve been doing plenty of writing, not least for the daily and weekly tasks for The Artist’s Way. I realize now that I haven’t talked about that much on here and now the group I’m doing it with and myself are almost two weeks away from completing it.

The Artist’s Way is about healing, healing one’s creative self and allowing it to flourish and be the guide for our creativity after it’s healed and unblocked. A few weeks ago, one of the tasks was to think of ways to forgive ourselves, to acknowledge whatever the situation was, remember it and let it pass as something we can’t control and to forgive ourselves. Since my biggest self-flagellation weapon of choice is being too hard on myself, I remembered ways I’d been too harsh about my writing, berating myself for not being productive at every instance of downtime I had, feeling guilty for taking out any sort of free time without feeling like I’ve earned it.

This week, as I took two days off work to not exactly go on vacation or disconnect but to be away from my desk (currently writing from the couch), I tried to allow myself the luxury of not planning my time off to the minute and to allow myself to recharge. I realized I hadn’t posted in a while, and when I went back to my content calendar to find planned posts I’d skipped over in the past few weeks, I found another way I like to self-flagellate: ruminating on embarrassing stories.

Those embarrassing stories that nag at you, bouncing around your head and making you wish you could go back and pull yourself away to spare yourself and those around you. Unfortunately, by allowing myself downtime to do nothing, my brain came across this memory from last Christmas, one that still makes me cringe and want to hide under a rock. In a hole somewhere. Close to the center of the Earth. Inside a locked room.

So, enjoy. It’s not fiction today, but storytelling, which I enjoy doing just as much, although I do wish the story itself were fiction and had never taken place outside my own brain…

Image of an adorned Christmas treeing the foreground, with two people blurred out in the background.
Photo by Eugene Zhyvchik on Unsplash

December 2019. A Christmas party. Not a work Christmas party, but a colleague’s of my mom’s. A direct report of my mom’s. This is important to the rest of the story.

My whole family, including my sister’s boyfriend, was invited, and I was grateful I wouldn’t need to drive everyone home at the end of the night. I started drinking, buzzed on being at the only Christmas party I’d been to that year more than on the free-flowing, self-poured mixed drinks. I didn’t know a great many people, and I was self-conscious that I’d come in as part of a crowd made only ore conspicuous by the fact that my sister was on crutches (she’d broken her foot weeks earlier). The solution to that was, of course, drinking and mingling with those people I did know.

No, this isn’t a story about my making an ass of myself by drinking too much and dancing on a table at a practical stranger’s house party, a practical stranger that would have to see my mom at work come Monday. I knew that going in and I knew to behave myself, to be polite, to introduce myself and be chatty enough. However…

I tried keeping to my crowd, talking to my mom’s manager whom I’d met before. She is talkative by nature and wasn’t drinking as she’d come with her young daughter, so she provided as much conversation fuel as I’d needed. The night went on with party games, raffles and nibbles, and I was even more self-conscious when my crowd kept winning prizes. A stuffed animal here, a reusable water cup there and we were one number away from winning a scanner-printer. I felt people staring and their spiteful thoughts at the back of my head – but I just liked winning free stuff so much…

The first slip happened as some groups started leaving, those with young kids. The living room emptied and there was more room to sit. One of the hosts shouted over my head to those behind me, “Before you head out, let’s do a Sherwood picture.”

Sherwood sounded familiar. It’s the high school up one of the main roads in the city, in the more affluent side of the county. I heard once, forever ago, that while some high schools had yearbook spreads of students with cars, Sherwood had a spread of the best student cars, with Mercedes and BMWs making the cut while Subarus and below didn’t.

This memory played in my head as I said, “Oh cool, you guys went to Sherwood. I went to Wheaton.”

I realized I hadn’t talked to this host much, so in my drunk mind this was my way of making conversation. Sober me would have noticed that he was busy entertaining and organizing his guests for a picture. Sober me would have stayed quiet, especially after his reply came.

“Yes, but forever ago,” he said without meeting my eyes, preoccupied with assembling the crowd.

Drunk me caught the slip, too. Of course. These people were older than me, not by much, but significantly enough that they were obviously adultier than me. By my calculations and by my mom’s intel, they were in their mid- to late-thirties. They had missed my high school years by a lot for me to casually want to spark a conversation about where we went to high school. Even talking about where we went to college would have been too far removed.

If I could have shrank and melted into my seat, with my drink in hand, I would have.

As it often does while you’ve been drinking, time started moving in quick bursts, and my actions were erratic. My crowd and I moved to the garage, where I was told there was a ping pong table and a photobooth. That occupied my time for a while, though I couldn’t say then or now how long it actually was. If I were skilled enough to learn Photoshop, those pictures would be edited to look like they were taken over many occasions, not one monopolized instance. Our crowd was big enough that we monopolized the ping pong table and darts board in the room, but we were conscious of that fact and kept ourselves out of the way, long enough for a young couple and their baby to come and take pictures at the photobooth.

Reader, this is where the story turns.

The baby didn’t look older than one year old, year and a half to guesstimate high. He wore a red onesie that would have looked adorable on anyone else, but it looked particularly striking against his white complexion and blue eyes. His parents held him and took picture after picture, trying to get him to look at the camera. My drunk self tried to be helpful, momentarily forgetting that I did not know these people and that I do not like babies. I was being obnoxious. I tried to get the baby’s attention, suddenly stopping when I realized I was cooing at him like I do at my dog, but luckily by that point the parents decided that they had gotten enough pictures and thanked me, much more gracefully than I deserved.

After they left the room, my dad started ushering the rest of us back to the living room too, trying to herd us like drunk cats. I sat with my parents for what felt like half an hour but could have easily been an hour or two minutes. They were waiting for my sister and her boyfriend to finish taking pictures and join us in the living room so we could grab our coats and go home, as I learned later on.

My parents chatted with the host who had invited us, my mom’s direct report, and it wasn’t necessarily shop talk. The young couple from the photobooth were with us in the living room, too, changing the baby and getting him out of the red onesie.

“We have one more Christmas party to go to, and this outfit has to last that long,” the mom said and chuckled. She handed the baby to the host, who was sitting next to me.

He hugged the baby as he sat on his lap and said, “I really want one.” My mom chuckled at that and the young parents continued to gather their stuff and rearrange the baby bag.

When the host turned slightly away from me to chat to the young parents, I tried my attempt at a joke. I looked at the baby, looked at parents and, very deliberately, scooted away from the child, as if I were repelled by him. I continued to look at him over my shoulder, aware I still had my audience, and scooted away a little more. The mom grabbed the baby away from the momentary sitter at that time, and I turned and giggled at my parents.

“Let me get you guys’ coats,” the host said and stood up, leaving me in plain view of the mom as she tried to put the baby in the car seat. I looked as she strapped him in, wincing a bit as the baby started wailing, not wanting to sit outside someone’s arms.

“I’m just going to leave this right here,” she said to me, pointing to the car seat on the couch next to me. “Is that okay?”

“Oh yeah, totally,” I said, casually and very much oblivious to her tone.

She went to grab her and her husband’s coats from the host’s arms, and they were gone shortly after, wailing baby with them.

Drunk me thought I was being funny. Drunk me was doing a bit about not liking babies and being put off by them. Drunk me did not see how that “joke” could have come off completely different to another audience with higher stakes on the butt of the joke than I had.

Before she left, the mom saw me inch away from her child, who wasn’t doing anything other than sitting and looking around at things he didn’t have names for yet. I was repelled by an innocent child who was doing nothing. To her, I was offensive.

I’d learn this weeks later, well after Christmas, too late to realize my mistake but soon enough to be full of shame. I tried to rationalize my behavior, to excuse it, really. Parents shouldn’t expect their child to be well-liked everywhere, especially not if they come across me. Parents shouldn’t expect people at parties to want to hold their child or want to hear stories about the latest development milestone, especially not me.

But every parent should expect their child to be well-received, not offended like I had done, joke or not.

We’re closer to a new Christmas and I’m still haunted by my behavior at that last Christmas party, with the baby incident only the culmination of embarrassing behavior of the evening. I was the boss’ daughter, acting out and showing off like a spoiled child, earning disapproval for her and for me, for our whole family.

Before COVID and its ramifications, my mom said we’d already been invited to the host’s yearly pool party in the summer. I had been thinking of ways to get out of this invitation since I received it, not wanting to own up to my mom that I was still embarrassed about the baby incident, and wanting even less to run into the young family again. They were close friends of the hosting couple, and they would no doubt be at the pool party, and an apology from me wasn’t enough or needed at this point. Of course, that’s a moot point now.

All I know is that even if we’re invited again, even if it’s two years from now and it’s safe to gather again, I will not be going. They probably forgot about the incident by now or would have done by then, and I would like to keep it that way.

For what it’s worth: Graham, Graham’s mom and dad, I’m very sorry.

Getting Ready to Write: An interior monologue

Took another week off, but you wouldn’t think it for how busy I’ve been. I prioritized some paid work again last week, but I’m back on schedule now and what better way to jump back in than with this week’s topic.

I’ve stalled my progress on the latest writing project for a bit – I actually can’t remember the last time I worked on it. However, one of the many things that occupied my attention last week was plotting this new project, so I’ve made progress but nothing tangible, and having the plotting done actually makes it that much more intimidating to get down to write. So I have to talk myself into it most of the time.

This week’s post is a short clip of what that monologue looks like some of the time, without the specifics of the current project because I’m still waiting for it to look a little more polished before sharing. Enjoy as I let you into some of my thoughts…

Before you go into a snippet of my head, check out this Rewire article I was recently quoted in (it’s wild writing that down…). I’m happy to be able to process an uncomfortable experience this way.

Happy reading!

Image of a journal with 'Write Ideas' on the cover, and a pencil next to it, on a wooden surface.
Photo by Aaron Burden on Unsplash. Me talking to myself when I just need to write SOMETHING down.

Right, I just need a drink and to find a comfortable place to sit. I wish I had more natural light. Or a more exciting view out the window. My back aches if I sit like this for too long. Never mind that; need to start writing.

I love and hate a white page. Can’t decide if I like it more than continuing an impressive word count or rearranging whole sections and watching it come together. There won’t be anything to put together if you don’t start writing…

Should I work on a scene I already wrote or start something new altogether? What was that one scene that went through my mind the other day? How is it connected to what I’ve already written? No, that makes sense – start something new altogether.

Asterisks or a few hyphens? Asterisks in the middle or left justified?

Maybe this new scene does fit somewhere that already exists, but where? It could be a continuation of that one scene, I suppose, but then would that tie up that scene and another one? Let’s write it down and see what happens.

I always want to start with dialogue, it would seem, or in the middle of what’s already happening. I guess that could come in handy if I decide to combine this new scene with something else, especially since I end scenes in media res anyway. I wonder if I will ever write multiple scenes in one go, ones that are linked together for once.

I really chase that feeling of getting into a flow and finding that the words just come on the page, like I’m just a conduit and they have already been written somewhere else, at some other point. I wonder if today will be one of those days, where I look up from the page and don’t really see what I’m looking at because my head is occupied with the scene unfolding in the words I’m writing. Not having a particularly exciting view outside the window comes in handy for that.

My back is achy and the page in front of me isn’t less empty… how do some writers get to the point where they hear their characters talking? I can’t even see what mine would be wearing… but I guess that’s okay. That’s not necessarily important to the story and it’s not like readers aren’t smart enough to realize she’s not naked… I wonder what her frame of mind should be on this scene, or what she’s thinking. Maybe she’ll tell me as I write it down.

Maybe she’ll just observe on this scene, and it’ll be one of those filler scenes in between the “really important” parts. If I get through this filler scene, maybe I’ll even write a more important one afterward, one of those that moves the plot along. What if all it takes is one scene to really get the flow going and I end up with a couple of thousand words’ worth? That would be a pleasant surprise, but I first have to write something to make this page look less empty and get the word count moving a bit.

Damn, I never did get myself something to drink… and I might as well find another pillow to prop up my aching back while I’m up.

The Lost Ring: Part II

Back for part two of this prompt: writing about something you misplaced using only the passive voice.

I have to admit that this was a bit of a challenge – I’m not used to using the passive voice and pride myself on never using it. I was taught that the passive voice is weak, as its name suggests, and it makes your writing look weak and uses up too many words.

Like a lot of things we learn from professional writers and teachers, there is no hard and fast rule to the passive voice, and I’ve found that sometimes I’m not too turned off by it when I come across it (case in point, this sentence). There could be an instance where a character is or is narrating a passive scene or are themselves a passive background character, so using the passive voice here wouldn’t be the end of the world. I had just as much of a challenge last week while writing only in the active voice; I had to catch myself and double check whether a sentence was sneaking in the passive voice, and edit accordingly.

Besides being a challenge, I found this as an opportunity to read less like an editor sometimes and just read like a reader. It sometimes takes me more than one reading to step into these roles, but I need to remind myself that just as I’d like for someone to be kind to my work, I need to be kind to someone else’s, and to not be such a hardass about the passive voice. After all, there are some people who are very offended when they read a sentence that starts with “and” or “but,” and I don’t think twice about doing that!

There’s a foot for every shoe. Or, rather, there’s a ring for every finger…

Image of rings in a tray
Photo by Viktor Forgacs on Unsplash. In an unsurprising turn of events, I’ve lost all pictures of the ring in question or my wearing it…

I am dropped and now I am bounced across a train that is taken by her on every work day – except when the gym is paid a visit. I am bounced on the train floor and the sound is questioned by passengers not lost in the music or books carried to pass the commuting time. I am rolled under seats, between legs and around bags, until I am stopped behind a seat leg.

She has been seen by me through three graduations, at least five moves and a few boys and, most recently, guys.

I was given to her at 15 as a gift and I was so treasured for having the birthstone of April, the month her father was born. She was teased for my fitting perfectly on her left thumb but on none of her other fingers.

Her emotional milestones were watched from my perch on her finger, and I was removed at security during her many travels. She was accompanied by me on so many travels, so many train rides, so many commutes by car, foot and train.

And now I am dropped. And I will be forgotten and abandoned, because while I will be thought about for a day or two, as with the other rings lost over the years, I will be forgotten and thought about fondly down the line sparingly. Her brain, memories and feelings will be filled up with more important things, just like the same finger that was occupied by me will be occupied by another ring some day.

Rings have been her staple for years. Before I came along, her fingers were populated by cheap jewelry, the kind that her skin was stained green with after a few weeks. Before her finger was habited by me, her wrists were full of bracelets, but bracelets never kept her attention or fondness for a long time.

People she was misunderstood by, people she was disliked by or people she was admired by would marvel at how her fingers were adorned. Wondered how long her morning was extended if her fingers needed to be dressed too. These comments were often seen as an imposition by her, a testament to how little she was known by these people.

When the train is covered in darkness at the end of the day, I am grabbed by a gloved hand and shoved into a pocket. Covered again in darkness and jostled, I am assaulted by fear at where my story will take me. No doubt there is another finger waiting to be adorned and dressed by my shiny and silver offering. As much as she will be missed, it is my purpose to adorn, not to care. There is another job to be had, another person to accompany for as long as I am wanted and needed.

I am carried inside this pocket for a while, before ending up in a clear bag with writing on it. I am left on a shelf for a few weeks before being given as a gift to another woman. And so my story is begun anew.

I know I will be missed. The sadness was evident on her face as I was dropped. So was the indecision: walking away or saving? She was accompanied by me for long enough – she could be released. She is evaded by readiness and preparedness as she is left behind, but her choices are limited. It was time. Time for a new story to be started for her too.

The Lost Ring

Back with the writing prompts this week.

I’ve deviated from my content plan for the past few weeks, and I’m kind of proud of myself for that. I have a hard time being spontaneous on a normal day and I’m quite fond of routine, so when I catch myself veering off course without ruminating on it, it’s like a gift to myself. Spontaneity is so alien to me by now that I don’t even notice when I’m being rigid.

I am evaded by spontaneity

Being evaded by spontaneity isn’t just my attempt at being poetic, but a way to introduce what I’m tackling this week: writing about something you misplaced using only the active voice (see what I did there). 

This is part one of two of this exercise, and during next week’s installment, you’ll find out what happened to what I misplaced and find out that I know exactly where it is. It’s just not with me anymore.

Happy reading! What have you misplaced that you know exactly where it is?

Image of white background with various silver rings in the foreground.
Photo by Natália Jonas on Unsplash

Rush hour. Going home for nothing in particular other than because I finished the work day.

It’s the middle of summer and there’s a heatwave. It’s not a heatwave by my East Coast standards, but it’s a heatwave when very few places here believe in AC.

The train pulls up and it’s full already. My current stop is only the second on the line. I hop on and barely make it down the aisle before other riders block my way. I grab onto the back of the closest seat in front of me and square my feet up. Six more stops.

At the first stop, still underground, no one gets up and those of us standing have to find a space to shove into when more passengers come on. I squeeze a bit further down the aisle and find a new backrest to hold onto. Five more stops.

All available windows are open, but the heat and humidity find a way to make all passengers sweat. I’m wearing black jeans and a sleeveless top, but the ebook on my phone and music in my ears can only keep me distracted so long from the heat I feel everywhere on my body. I should have put my hair up.

At the second stop, more people hop on and off the train and the mass pushes me farther down the aisle, but at least I’m now directly in front of a cracked window. Four more stops and I can at least be out in the breeze.

We are above ground again as the train arrives at the third stop. No one moves out but more people come inside the train. We pull space out of thin air to accommodate ourselves.

The fourth stop rolls around and people start shifting, grabbing their bags and scoping out a way to leave the train with as little scuffle as possible. When the train finally stops, the frenzy begins, and yet I still can’t find an empty seat. It’s fine – just two more stops to go.

With the breeze from being aboveground also comes the warm, overbearing sunlight. Sunlight always feels better when you’re sitting on cool grass on a blanket that never gets damp, with drinks and snacks and nowhere to be until you feel like moving. With two stops away from your destination on the height of a summer heatwave, ten minutes feel eternal.

The fifth stop rolls around and enough people get off the train to allow me to square up my feet again and gain some space. With my stop in mind and so close I can see it, I relax a bit and try to reread the same page I’ve been stuck on since the second stop.

I feel an itch.

It’s an itch I can’t reach in my current predicament, but I have just enough purchase and dexterity to put my phone in my bag, hold steady with that hand and reach inside my pocket with my other hand to scratch the itch over my clothes through the thin fabric.

After I scratch the itch and start pulling my hand back out from my pocket, my ring catches on a belt loop, comes off my finger and bounces on the floor and under a few seats in front of me.

My stop rolls around at that moment and I have to get off the train. The image of getting on my hands and knees and under people’s legs flashes across my mind. The train stops and people shift around me, signaling me to drop or get off the train. I move with them and bid a silent farewell to the ring that has been on that same finger for 10 years.

On the walk home, I hope the ring has a good life, that whoever finds it wears it, sells it or gives it away. But I hope no one throws it in the trash as just a cheap piece of jewelry. As I contemplate that a piece of me is gone, while I’m so far away from home, I don’t feel too bothered by the heat anymore.